Though the Filipino term Bahay na bato means "house of stone", these houses are not fully made up of stone some are even dominated more by wooden materials, and some more modern ones use concrete materials. Today, these houses are more commonly called ancestral houses, due to most ancestral houses in the Philippines being of Bahay na bato architecture.Ī fine exampe of Bahay na bato Philippine architecture After the Second World War, building these houses declined and eventually stopped in favor of post-World War II modern architecture. This architecture is still used during the American colonization of the Philippines. The same architectural style was used for Philippines' Spanish-era convents, monasteries, schools, hotels, factories, and hospitals, and with some of the American-era Gabaldon school buildings, all with few adjustments. The 19th century was the golden age of these houses, when wealthy Filipinos built fine houses all over the archipelago. It was popular among the elite or middle-class, and integrated the characteristics of the nipa hut with the style, culture and technology of Chinese and Spanish Architecture. Bahay na bato had a rectangular plan that reflected vernacular Austronesian Filipino traditional houses integrated with Spanish style. Horses for carriages were housed in stables called caballerizas. Like bahay kubo, much of this ground level was reserved for storage in business districts, some spaces were rented to shops. It followed the bahay kubo's arrangements such as open ventilation and elevated apartments used as living space with the ground floor used for storerooms, cellars, and other business purposes. Its most common appearance that is organized. Its design has evolved throughout the ages, but still maintains the bahay kubo's architectural basis which corresponds to the tropical climate, stormy season, and earthquake-prone environment of the whole archipeybrid of Austronesian, Spanish, and Chinese architecture. It is an updated version of the traditional bahay kubo. Header image courtesy of the Office of Sen.Bahay na bato (Tagalog, literally "house of stone") is a type of building originating during the Philippines' Spanish Colonial Period. The museum is built inside Iloilo City’s Central Business District, a national heritage zone. The other ones include the Iloilo Museum of Contemporary Arts established by the Megaworld Corporation and the Western Visayas Regional Museum by the National Museum. The Museum of Philippine Economic History is the third museum that opened in Iloilo in less than a year, Drilon noted. “It is the first of its kind in the country, the first ever museum that is solely dedicated to the economic history of our country.” “It is only fitting that a museum of this kind is put up here in Iloilo City,” Drilon said in an Inquirer article during the museum’s opening on Feb. The two-storey museum boasts of decades- or even centuries-old accessories, tools, looms, photographs, maps, train wheels, and even plates. Franklin Drilon, the NHCP recently turned the Elizalde Building into a 13-gallery museum of Philippine economic history-the first of its kind. The building was later on bought by the Commission of Audit (COA) which, together with the NHCP, restored the building in 2016. In 1936, the ownership was transferred to the Elizalde family whose members took over the managerial control of the trading firm when the owner died. It was once owned by the Ynchausti family which operated the trading firm Ynchausti y Compania, a multinational company focused on banking, shipping, real estate, insurance, and sugar and abaca production. Red bricks make up the walls of its first floor while wood panels and sliding windows made of capiz shells form the upper level.Īside from its aesthetic features, the landmark also played a vital role in the economic history of the province. The Elizalde Building is considered a historically important landmark for its architectural features that make up an ancestral bahay na bato. To help preserve the province’s rich history, the National Historical Commission of the Philippines (NHCP) gathered items, documents, mementos, images, and other artifacts that represent the economic history of Iloilo and Western Visayas and placed them in the rooms of the century-old Elizalde Building at JM Basa Street beside the Iloilo City Hall. Residential streets and houses were turned into repositories and Iloilo quickly rose as the center of the country’s economic and political activities. The clamor for their textile production, most especially piña, flourised handicrafts were exported to many foreign countries and there was a significant boost in sugar production. At the turn of the 19th century, Iloilo emerged as the country’s biggest trading port.
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